{"title":"Rhino Reserve","description":null,"products":[{"product_id":"public-image-ltd-album-rhino-reserve-lp","title":"Public Image Ltd - Album (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180 Gram Black Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Album: a single 180-gram black LP pressed in California at Fidelity Record Pressing. According to Rhino's sticker on the jacket, the lacquers were cut from the original analog master by Matthew Lutthans at The Mastering Lab. The sticker carries catalog number RES1 60438.\u003c\/p\u003e\n\u003cp\u003eAlbum was first issued in January 1986, on Virgin in the UK and Elektra in the US. Rather than use the PiL touring band, John Lydon made it in New York with Bill Laswell, who co-produced and played bass, and a session lineup that included guitarist Steve Vai, drummers Ginger Baker and Tony Williams, and Ryuichi Sakamoto on Fairlight. Organist Bernie Worrell, guitarist Nicky Skopelitis and Shankar on electric violin also play on it.\u003c\/p\u003e\n\u003cp\u003eBacking tracks were cut at the Power Station, with overdubs at Electric Lady, Quadrasonic and RPM, and the recording took about three weeks. Laswell has said that \"everything was a first take,\" with the Fairlight serving as a kind of click track. Lydon's own summary, quoted on the Rhino sticker: \"I make records for myself. I want them to be completely precise.\"\u003c\/p\u003e\n\u003cp\u003eThe album reached No. 14 on the UK Albums Chart. \"Rise,\" released as a single in January 1986, reached No. 11 in the UK, and \"Home\" followed in April. The title is part of a set: the CD edition was called Compact Disc, the cassette Cassette, and the \"Rise\" 7-inch simply Single.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eF.F.F.\u003c\/li\u003e\n\u003cli\u003eRise\u003c\/li\u003e\n\u003cli\u003eFishing\u003c\/li\u003e\n\u003cli\u003eRound\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBags\u003c\/li\u003e\n\u003cli\u003eHome\u003c\/li\u003e\n\u003cli\u003eEase\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497803132\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Elektra \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 9.18.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Elektra \/ Wea","offers":[{"title":"NEW \/ NEW","offer_id":48226581315742,"sku":"EVP-71186C73-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/pil-album-blackvinyl-1.jpg?v=1789970661"},{"product_id":"doug-sahm-groovers-paradise-rhino-reserve","title":"Doug Sahm - Groover's Paradise (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis LP belongs to Rhino Reserve, the Rhino series built around 180-gram vinyl, analog sources where they exist, and pressing at Fidelity Record Pressing in Oxnard, California. For Groover's Paradise the lacquers were cut from the original analog master by Matthew Lutthans at The Mastering Lab, and the Reserve seal on the jacket marks the record as 180 gram and cut from analog tape.\u003c\/p\u003e\n\u003cp\u003eIt is part of Rocktober 2026, Rhino's program of 54 limited-edition vinyl titles for brick-and-mortar record stores, and sits in the October 23 group of Reserve pressings alongside Randy Newman's Sail Away and Good Old Boys and Mott the Hoople's Brain Capers.\u003c\/p\u003e\n\u003cp\u003eSahm recorded the album in May and June 1974 at Cosmo's Factory in Berkeley, under contract to DSR Productions, the company run by former Creedence Clearwater Revival members Doug Clifford and Stu Cook, which delivered its masters to Warner. Clifford produced and played drums, Cook played bass, and the band, billed as the Tex-Mex Trip, included saxophonist Frank Rodarte and Link Davis, Jr. Sahm wrote every song except Luis Guerrero's \"La Cacahuata.\"\u003c\/p\u003e\n\u003cp\u003eWarner Bros. released it in August 1974. It was a hit in Austin without charting nationally. Kerry Awn drew the sleeve, a gathering of well-known Austin scenes, with armadillos by Jim Franklin; the Austin Chronicle later called the record \"the quintessential Austin album.\"\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGroover's Paradise\u003c\/li\u003e\n\u003cli\u003eDevil Heart\u003c\/li\u003e\n\u003cli\u003eHouston Chicks\u003c\/li\u003e\n\u003cli\u003eFor the Sake of Rock 'N' Roll\u003c\/li\u003e\n\u003cli\u003eBeautiful Texas Sunshine\u003c\/li\u003e\n\u003cli\u003eJust Groove Me\u003c\/li\u003e\n\u003cli\u003eGirls Today (Don't Like to Sleep Alone)\u003c\/li\u003e\n\u003cli\u003eLa Cacahuata (Peanut)\u003c\/li\u003e\n\u003cli\u003eHer Dream Man Never Came\u003c\/li\u003e\n\u003cli\u003eCatch Me in the Morning\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227802431\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226645409950,"sku":"EVP-C7A8731E-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/418467323895_1000.png?v=1788315263"},{"product_id":"randy-newman-sail-away-rhino-reserve","title":"Randy Newman - Sail Away (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl LP, Rocktober 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis edition of Sail Away is part of Rhino Reserve, the label's audiophile series built around analog sources, 180-gram vinyl and pressing at Fidelity Record Pressing in Oxnard, California. It is one of the limited titles in Rhino's Rocktober 2026 program, which goes to brick-and-mortar record stores rather than general retail. The lacquer was cut from the original flat analog master by Matthew Lutthans at The Mastering Lab, and the album fits on a single 180-gram black LP.\u003c\/p\u003e\n\u003cp\u003eSail Away was Newman's third studio album, issued by Reprise on May 23, 1972, with Lenny Waronker and Russ Titelman producing. Newman wrote every song on it, and several had already been recorded by others before he cut them himself. Alan Price had taken \"Simon Smith and the Amazing Dancing Bear\" into the UK charts in 1967, and Harry Nilsson recorded it for Harry in 1969. \"Lonely at the Top\" was written with Frank Sinatra in mind, though Sinatra never recorded it. \"Last Night I Had a Dream\" is a re-recording, with a different arrangement, of a single Newman issued in 1968.\u003c\/p\u003e\n\u003cp\u003eRolling Stone placed the album at number 268 on its list of the 500 Greatest Albums of All Time, and Colin Larkin's All Time Top 1000 Albums ranked it 582 in 2000. In 2021 Brian Wilson put it third among his \"5 Albums I Can't Live Without\" for Spin. The songs have had long lives on screen: Joe Cocker's 1986 version of \"You Can Leave Your Hat On\" was used in 9½ Weeks, and \"Burn On,\" which refers to the 1969 Cuyahoga River fire, plays over the opening titles of Major League.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSail Away\u003c\/li\u003e\n\u003cli\u003eLonely at the Top\u003c\/li\u003e\n\u003cli\u003eHe Gives Us All His Love\u003c\/li\u003e\n\u003cli\u003eLast Night I Had a Dream\u003c\/li\u003e\n\u003cli\u003eSimon Smith and the Amazing Dancing Bear\u003c\/li\u003e\n\u003cli\u003eOld Man\u003c\/li\u003e\n\u003cli\u003ePolitical Science\u003c\/li\u003e\n\u003cli\u003eBurn On\u003c\/li\u003e\n\u003cli\u003eMemo to My Son\u003c\/li\u003e\n\u003cli\u003eDayton, Ohio - 1903\u003c\/li\u003e\n\u003cli\u003eYou Can Leave Your Hat On\u003c\/li\u003e\n\u003cli\u003eGod's Song (That's Why I Love Mankind)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227804244\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226645999774,"sku":"EVP-690283EE-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/418467323891_1000.png?v=1788315263"},{"product_id":"todd-rundgren-runt-rhino-reserve","title":"Todd Rundgren - Runt (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRunt arrives here in Rhino's Rhino Reserve series, one of 54 limited-edition titles Rhino issued for Rocktober 2026 through independent record stores. It is a single 180-gram LP. Retailer listings for this barcode state the lacquers were cut from the original analog master by Matthew Lutthans at The Mastering Lab, and the hype sticker on Rhino's product art names Fidelity Record Pressing in California as the plant. That sticker also calls the album the place \"where power pop was born.\"\u003c\/p\u003e\n\u003cp\u003eAmpex Records issued Runt in 1970 under the band name Runt: a trio with Hunt Sales on drums and Tony Sales on bass, though Rundgren, formerly of Nazz, wrote and produced every song and played most of the instruments. Sessions started at I.D. Sound in Los Angeles with Electric Prunes singer Jim Lowe engineering, then moved to the Record Plant in New York City with Jack Adams at the board.\u003c\/p\u003e\n\u003cp\u003e\"We Gotta Get You a Woman,\" inspired by his friend, music executive Paul Fishkin, became Rundgren's first hit, reaching No. 20 on the Billboard Hot 100 in early 1971; the album peaked at No. 185 on the Billboard 200 a month later. When Ampex repressed the LP in November 1970, a 12-track master Rundgren had rejected went to the plant by mistake, and roughly 5,000 of those copies were sold. This Rhino Reserve pressing carries the standard ten-track running order.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eBroke Down and Busted\u003c\/li\u003e\n\u003cli\u003eBelieve in Me\u003c\/li\u003e\n\u003cli\u003eWe Gotta Get You a Woman\u003c\/li\u003e\n\u003cli\u003eWho's That Man?\u003c\/li\u003e\n\u003cli\u003eOnce Burned\u003c\/li\u003e\n\u003cli\u003eDevil's Bite\u003c\/li\u003e\n\u003cli\u003eI'm in the Clique\u003c\/li\u003e\n\u003cli\u003eThere Are No Words\u003c\/li\u003e\n\u003cli\u003eBaby Let's Swing \/ The Last Thing You Said \/ Don't Tie My Hands\u003c\/li\u003e\n\u003cli\u003eBirthday Carol\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227802844\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226655699102,"sku":"EVP-035A75A8-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/todd-rundgren-runt-rhino-reserve-rocktober-2026_fab570e7-9ed1-438a-a45b-6e31837aa040.webp?v=1791189025"},{"product_id":"randy-newman-good-old-boys-rhino-reserve","title":"Randy Newman - Good Old Boys (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180g Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis single-LP edition of Good Old Boys belongs to Rhino Reserve, the label's audiophile series built on 180-gram vinyl, analog sources and pressing at Fidelity Record Pressing in Oxnard, California. Its lacquers were cut from the original analog master by Matthew Lutthans at The Mastering Lab, and it was issued among Rhino's Rocktober 2026 titles.\u003c\/p\u003e\n\u003cp\u003eGood Old Boys was Randy Newman's fourth studio album, released by Reprise in 1974 and produced by Lenny Waronker and Russ Titelman. It was his first record to find major commercial success, reaching No. 36 on the Billboard 200 and spending 21 weeks on the chart. Glenn Frey, Don Henley and Bernie Leadon of the Eagles sing backing vocals, and Ry Cooder plays guitar on \"Back on My Feet Again.\"\u003c\/p\u003e\n\u003cp\u003eNewman first sketched the songs as a concept album about Johnny Cutler, an everyman of the Deep South, and demoed them in February 1973. The finished album widened the view to the region as a whole. \"Rednecks\" opens it as a satire aimed at both institutional racism in the South and the hypocrisy of the North's response, \"Louisiana 1927\" recalls the Great Mississippi Flood, and \"Every Man a King,\" a song written by Huey Long himself, leads into Newman's own \"Kingfish.\"\u003c\/p\u003e\n\u003cp\u003eRobert Christgau gave the album an A on release, and Rolling Stone placed it at No. 394 on its 2012 list of the 500 greatest albums of all time.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eRednecks\u003c\/li\u003e\n\u003cli\u003eBirmingham\u003c\/li\u003e\n\u003cli\u003eMarie\u003c\/li\u003e\n\u003cli\u003eMr. President (Have Pity on the Working Man)\u003c\/li\u003e\n\u003cli\u003eGuilty\u003c\/li\u003e\n\u003cli\u003eLouisiana 1927\u003c\/li\u003e\n\u003cli\u003eEvery Man a King\u003c\/li\u003e\n\u003cli\u003eKingfish\u003c\/li\u003e\n\u003cli\u003eNaked Man\u003c\/li\u003e\n\u003cli\u003eA Wedding in Cherokee County\u003c\/li\u003e\n\u003cli\u003eBack on My Feet Again\u003c\/li\u003e\n\u003cli\u003eRollin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227804251\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226669559966,"sku":"EVP-B33F54C9-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/0081227804251.ps.white.jpg?v=1791187518"},{"product_id":"mott-the-hoople-brain-capers-rhino-reserve","title":"Mott The Hoople - Brain Capers (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of \u003cem\u003eBrain Capers\u003c\/em\u003e, one of the Reserve titles in Rhino's Rocktober 2026 run of 54 limited-edition releases, issued through select brick-and-mortar record stores. It is a single 180-gram black LP. The sticker on the jacket states that the lacquers were cut from the original analog master by Matthew Lutthans at The Mastering Lab, and that the record was pressed in California at Fidelity Record Pressing, the Oxnard plant behind the Reserve series. The front cover is the US Atlantic design with the black mask. The original UK and Canadian covers left the mask off, and UK copies came with a real mask packed inside.\u003c\/p\u003e\n\u003cp\u003eRhino's sticker copy calls the band's fourth album \"the cult classic that predicted punk\" and names \"The Moon Upstairs\" and \"Sweet Angeline.\" Island issued it in the UK in November 1971 as ILPS 9178, and Atlantic followed in the US in January 1972 as SD 8304. It is the only Mott the Hoople album that failed to chart in either country.\u003c\/p\u003e\n\u003cp\u003eGuy Stevens was brought in to produce after the band's own self-produced sessions were shelved, and he plays piano on the record as well. Andy Johns engineered at Island's London studio across August and September 1971. The lineup is Ian Hunter, Mick Ralphs, Pete Watts, Dale \"Buffin\" Griffin and Verden Allen, with Jim Price adding trumpet to Allen's \"Second Love.\" Two covers sit among the originals: \"Your Own Backyard\" by Dion DiMucci and Tony Fasce, and Jesse Colin Young's \"Darkness, Darkness.\" The short closer, \"The Wheel of the Quivering Meat Conception,\" fades in at the point where \"The Journey\" faded out.\u003c\/p\u003e\n\u003cp\u003eThe working title was AC\/DC. The band settled on \u003cem\u003eBrain Capers\u003c\/em\u003e as a compromise between two later candidates, Brain Damage and Bizarre Capers. A line on the back cover dedicates the album to James Dean.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eDeath May Be Your Santa Claus\u003c\/li\u003e\n\u003cli\u003eYour Own Backyard\u003c\/li\u003e\n\u003cli\u003eDarkness, Darkness\u003c\/li\u003e\n\u003cli\u003eThe Journey\u003c\/li\u003e\n\u003cli\u003eSweet Angeline\u003c\/li\u003e\n\u003cli\u003eSecond Love\u003c\/li\u003e\n\u003cli\u003eThe Moon Upstairs\u003c\/li\u003e\n\u003cli\u003eThe Wheel of the Quivering Meat Conception\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227803568\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226671329438,"sku":"EVP-B8C97461-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/0081227803568.ps.white.jpg?v=1791186456"},{"product_id":"nada-surf-high-low-rhino-reserve","title":"Nada Surf - High\/Low (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of High\/Low: one LP on 180-gram black vinyl, dated October 23, 2026. It belongs to Rhino's Rocktober 2026 program, a run of 54 limited-edition titles the label placed with select brick-and-mortar record stores, and that date is the one Rhino set aside for its Reserve releases.\u003c\/p\u003e\n\u003cp\u003eThe Reserve sticker on the jacket names Fidelity Record Pressing in California as the plant, and the disc carries the series' red Rhino Reserve center label.\u003c\/p\u003e\n\u003cp\u003eHigh\/Low was Nada Surf's debut studio album, first issued by Elektra in 1996. Matthew Caws (guitar, vocals), Daniel Lorca (bass) and Ira Elliot (drums) recorded it at Electric Lady Studios in New York in December 1995, with Ric Ocasek of the Cars producing, Bruce Calder engineering and mixing, and George Marino mastering the original release.\u003c\/p\u003e\n\u003cp\u003eCaws and Lorca wrote all ten songs, sharing \"Deeper Well\" with Robert Randall and \"Popular\" with Gloria Winters. \"Popular\" was the band's breakout, reaching No. 11 on Billboard's Modern Rock Tracks chart, and the album reached No. 63 on the Billboard 200. The Baltimore Sun's 1996 review heard \"an almost elegant austerity\" in the record's sound. Nada Surf took the album on the road with Superdrag and the Gravel Pit.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eDeeper Well\u003c\/li\u003e\n\u003cli\u003eThe Plan\u003c\/li\u003e\n\u003cli\u003ePopular\u003c\/li\u003e\n\u003cli\u003eSleep\u003c\/li\u003e\n\u003cli\u003eStalemate\u003c\/li\u003e\n\u003cli\u003eTreehouse\u003c\/li\u003e\n\u003cli\u003eIcebox\u003c\/li\u003e\n\u003cli\u003ePsychic Caramel\u003c\/li\u003e\n\u003cli\u003eHollywood\u003c\/li\u003e\n\u003cli\u003eZen Brain\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227802455\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.23.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226676113566,"sku":"EVP-17B3290C-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/0081227802455.ps.white.jpg?v=1791186641"},{"product_id":"buddy-guy-junior-wells-play-the-blues-rhino-reserve","title":"Buddy Guy \u0026 Junior Wells - Play The Blues (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180g Black Vinyl, Cut From Analog Tape\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Buddy Guy \u0026amp; Junior Wells Play The Blues, catalog number RES1 364. Its lacquers were cut from the original analog master by Matthew Lutthans at The Mastering Lab, and the record was pressed on 180-gram black vinyl at Fidelity Record Pressing in California. The jacket keeps the original front-cover design, with the stereo block beside the Atco logo now reading RES1 364, and a red Rhino Reserve sticker marks this title as cut from analog tape.\u003c\/p\u003e\n\u003cp\u003eRhino Reserve is Rhino's premium audiophile vinyl line. This title arrived in Rhino's Rocktober 2026 program, a run of 54 limited-edition vinyl releases for independent record stores, as one of a group of Rhino Reserve 180-gram single-LP editions.\u003c\/p\u003e\n\u003cp\u003eThe album dates to 1972. Rhino's own sticker notes that Eric Clapton coproduced it, and that it carries guest appearances from The J. Geils Band, Clapton and other members of Derek and the Dominos, and Dr. John. Its opening track, \"A Man of Many Words,\" was issued as a 1972 single backed with \"Honey Dripper.\" The partnership behind it was already long-standing: Guy had played guitar on Wells's 1965 Delmark album Hoodoo Man Blues, and in the 1970s the two worked with the Rolling Stones on several occasions.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eA Man of Many Words\u003c\/li\u003e\n\u003cli\u003eMy Baby She Left Me (She Left Me a Mule to Ride)\u003c\/li\u003e\n\u003cli\u003eCome On in This House \/ Have Mercy Baby\u003c\/li\u003e\n\u003cli\u003eT-Bone Shuffle\u003c\/li\u003e\n\u003cli\u003eA Poor Man's Plea\u003c\/li\u003e\n\u003cli\u003eMessin' with the Kid\u003c\/li\u003e\n\u003cli\u003eThis Old Fool\u003c\/li\u003e\n\u003cli\u003eI Don't Know\u003c\/li\u003e\n\u003cli\u003eBad Bad Whiskey\u003c\/li\u003e\n\u003cli\u003eHoneydripper\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227802943\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Atlantic","offers":[{"title":"NEW \/ NEW","offer_id":48226676277406,"sku":"EVP-085EF83B-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/418467323949_1000.jpg?v=1788315319"},{"product_id":"porno-for-pyros-good-gods-urge-rhino-reserve","title":"Porno For Pyros - Good God's Urge (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180 Gram Black Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis edition of Good God's Urge belongs to Rhino Reserve, Rhino's line of single-LP reissues on 180-gram black vinyl, and was issued as one of the label's Rocktober 2026 titles for brick-and-mortar record stores. Most of that year's Reserve titles were cut by Matthew Lutthans at the Mastering Lab. This one is an exception, shared only with Nada Surf's High\/Low: its lacquers were cut by Jeff Powell at Take Out Vinyl. The jacket sticker credits the pressing to Fidelity Record Pressing in California.\u003c\/p\u003e\n\u003cp\u003eGood God's Urge was the second and final studio album by Porno for Pyros, the band Perry Farrell and Stephen Perkins formed after the first break-up of Jane's Addiction. Warner Bros. first released it in 1996, and it reached No. 13 on the Billboard 200. The songs came out of two years of surf trips to Tahiti, Indonesia, Samoa, Costa Rica and Mexico, which turned the band toward a more acoustic sound. Recording took place at Shangri-La in Malibu, with Farrell, Thomas Johnson and Matt Hyde producing.\u003c\/p\u003e\n\u003cp\u003eGuitarist Peter DiStefano returns from the debut. Mike Watt plays bass, on his only album with the band, after Martyn LeNoble left before his parts were finished. Daniel Ash, David J and Kevin Haskins of Love and Rockets appear on \"Porpoise Head\", and Dave Navarro and Flea join on \"Freeway\". The album produced three singles: \"Tahitian Moon\", \"100 Ways\" and \"Dogs Rule the Night\". John Eder photographed the cover.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003ePorpoise Head\u003c\/li\u003e\n\u003cli\u003e100 Ways\u003c\/li\u003e\n\u003cli\u003eTahitian Moon\u003c\/li\u003e\n\u003cli\u003eKimberly Austin\u003c\/li\u003e\n\u003cli\u003eThick of It All\u003c\/li\u003e\n\u003cli\u003eGood God's Urge!\u003c\/li\u003e\n\u003cli\u003eWishing Well\u003c\/li\u003e\n\u003cli\u003eDogs Rule the Night\u003c\/li\u003e\n\u003cli\u003eFreeway\u003c\/li\u003e\n\u003cli\u003eBloodline\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227802813\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226679357598,"sku":"EVP-9EB30EAD-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/Porno-For-Pyros-Gods-Great-Urge-Rhino-Reserve-Rocktober-2026-New-Vinyl.jpg?v=1791187322"},{"product_id":"the-b-52s-cosmic-thing-rhino-reserve","title":"The B-52's - Cosmic Thing (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis edition brings Cosmic Thing into Rhino Reserve, the label's analog-sourced vinyl series. The lacquers were cut from the original analog master by Matthew Lutthans at The Mastering Lab, and the record is pressed on 180-gram black vinyl at Fidelity Record Pressing in Oxnard, California. Rhino's launch announcement for the series specifies a heavyweight board jacket, Rhino Reserve labels and a Fidelity-branded poly inner sleeve, and a sticker on the jacket front repeats the mastering credit.\u003c\/p\u003e\n\u003cp\u003eIt belongs to Rhino's Rocktober 2026 program, a run of 54 limited-edition vinyl titles that Rhino placed with select brick-and-mortar record stores.\u003c\/p\u003e\n\u003cp\u003eCosmic Thing is the fifth studio album by the B-52's, first released by Reprise in 1989. Six of its ten songs were produced by Nile Rodgers in New York City and the other four by Don Was at Dreamland Recording Studios in West Hurley, New York. The songs were the first the band wrote after the 1985 death of guitarist and founding member Ricky Wilson. Keith Strickland took over guitar and most of the composing, recording instrumental demos over which Kate Pierson, Cindy Wilson and Fred Schneider worked out melodies and lyrics.\u003c\/p\u003e\n\u003cp\u003eOpening single \"Channel Z\" reached No. 1 on Billboard's Modern Rock Tracks chart. \"Love Shack\" was the last song recorded for the album, climbed to No. 3 on the Billboard Hot 100, and its video won Best Group Video at the 1990 MTV Video Music Awards. With \"Roam\" and \"Deadbeat Club\" following, the album peaked at No. 4 on the Billboard 200, reached No. 1 in Australia and New Zealand, and was certified four-times platinum in the US. Strickland has said he sequenced the record to tell a story from beginning to end; it closes on the instrumental \"Follow Your Bliss\".\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eCosmic Thing\u003c\/li\u003e\n\u003cli\u003eDry County\u003c\/li\u003e\n\u003cli\u003eDeadbeat Club\u003c\/li\u003e\n\u003cli\u003eLove Shack\u003c\/li\u003e\n\u003cli\u003eJunebug\u003c\/li\u003e\n\u003cli\u003eRoam\u003c\/li\u003e\n\u003cli\u003eBushfire\u003c\/li\u003e\n\u003cli\u003eChannel Z\u003c\/li\u003e\n\u003cli\u003eTopaz\u003c\/li\u003e\n\u003cli\u003eFollow Your Bliss\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227802448\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226679619742,"sku":"EVP-67BB227A-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/418467323902_1000.png?v=1788315325"},{"product_id":"the-cramps-flamejob-rhino-reserve","title":"The Cramps - Flamejob (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Flamejob: a single LP on 180-gram black vinyl, issued as part of Rhino's Rocktober 2026 program. The retail listing for this barcode states that the lacquers were cut from the original analog master by Matthew Lutthans at The Mastering Lab, and the sticker on the jacket notes that the record was pressed in California at Fidelity Record Pressing. The label itself carries the red Rhino Reserve design.\u003c\/p\u003e\n\u003cp\u003eRocktober 2026 runs to 54 limited-edition titles, released on select Fridays through October and placed by Rhino with select brick-and-mortar shops. Flamejob arrives in the October 30 group of Reserve pressings, alongside titles from The Chills, Alice Cooper, Buddy Guy \u0026amp; Junior Wells, Porno for Pyros and Todd Rundgren.\u003c\/p\u003e\n\u003cp\u003eFlamejob was the sixth studio album by The Cramps, first issued in October 1994. Lux Interior and Poison Ivy produced it themselves at engineer Earle Mankey's Psychedelic Shack in Thousand Oaks, California, with Slim Chance on bass and Harry Drumdini on drums, and Lux Interior shot the front cover. Side two closes on a run of covers, finishing with Bobby Troup's \"Route 66 (Get Your Kicks On)\".\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMean Machine\u003c\/li\u003e\n\u003cli\u003eUltra Twist\u003c\/li\u003e\n\u003cli\u003eLet's Get F*cked Up\u003c\/li\u003e\n\u003cli\u003eNest of the Cuckoo Bird\u003c\/li\u003e\n\u003cli\u003eI'm Customized\u003c\/li\u003e\n\u003cli\u003eSado County Auto Show\u003c\/li\u003e\n\u003cli\u003eNaked Girl Falling Down the Stairs\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHow Come You Do Me?\u003c\/li\u003e\n\u003cli\u003eInside Out and Upside Down (With You)\u003c\/li\u003e\n\u003cli\u003eTrapped Love\u003c\/li\u003e\n\u003cli\u003eSwing the Big Eyed Rabbit\u003c\/li\u003e\n\u003cli\u003eStrange Love\u003c\/li\u003e\n\u003cli\u003eBlues Blues Blues\u003c\/li\u003e\n\u003cli\u003eSinners\u003c\/li\u003e\n\u003cli\u003eRoute 66 (Get Your Kicks On)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497803118\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226681946270,"sku":"EVP-0D374AC7-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/the-cramps-flamejob-rhino-reserve-rocktober-2026.webp?v=1791188843"},{"product_id":"todd-rundgren-runt-the-ballad-of-todd-rundgren-rhino-reserve","title":"Todd Rundgren - Runt: The Ballad Of Todd Rundgren (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Runt. The Ballad of Todd Rundgren, made by Rhino for its Rocktober 2026 program. The lacquers were cut from the original analog master by Matthew Lutthans at The Mastering Lab, and the record is pressed on heavyweight 180-gram vinyl.\u003c\/p\u003e\n\u003cp\u003eRhino Reserve is the label's audiophile series: 180-gram black vinyl pressed at Fidelity Record Pressing in Oxnard, California, with heavyweight board jackets, Rhino Reserve labels and a Fidelity-branded poly sleeve, and with the original packaging kept as it was. Rocktober 2026 itself is a run of 54 Rhino vinyl reissues aimed at brick-and-mortar record stores through October.\u003c\/p\u003e\n\u003cp\u003eThe album is Rundgren's second, issued in 1971 on Bearsville with Ampex distribution and, like the debut before it, credited to Runt. Rundgren wrote, arranged and produced every song and handled all the guitars, keyboards and vocals himself. In the liner notes to the 1999 CD he put it plainly: \"I took a crack at playing it all myself.\" Tony Sales plays bass on most tracks and N. D. Smart most of the drums, with Jerry Scheff and John Guerin on two songs and Hunt Sales drumming on one.\u003c\/p\u003e\n\u003cp\u003eMost of the twelve songs are piano-led ballads; \"Bleeding\" and \"Parole\" are the rock numbers, and \"Chain Letter\" is the closing anthem of the first half. \"Be Nice to Me\" and \"A Long Time, A Long Way to Go\" were the singles. Milton Glaser designed the cover, and Ron Mael, later of Sparks, handled the inside photographs and design.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eLong Flowing Robe\u003c\/li\u003e\n\u003cli\u003eThe Ballad (Denny \u0026amp; Jean)\u003c\/li\u003e\n\u003cli\u003eBleeding\u003c\/li\u003e\n\u003cli\u003eWailing Wall\u003c\/li\u003e\n\u003cli\u003eThe Range War\u003c\/li\u003e\n\u003cli\u003eChain Letter\u003c\/li\u003e\n\u003cli\u003eA Long Time, A Long Way to Go\u003c\/li\u003e\n\u003cli\u003eBoat on the Charles\u003c\/li\u003e\n\u003cli\u003eBe Nice to Me\u003c\/li\u003e\n\u003cli\u003eHope I'm Around\u003c\/li\u003e\n\u003cli\u003eParole\u003c\/li\u003e\n\u003cli\u003eRemember Me\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227802615\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226683191454,"sku":"EVP-32022CE6-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/418467323995_1000.jpg?v=1788315333"},{"product_id":"alice-cooper-goes-to-hell-rhino-reserve","title":"Alice Cooper - Alice Cooper Goes To Hell (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180 Gram Black Vinyl, Rocktober 2026\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Alice Cooper Goes To Hell: a single 180-gram black LP, catalog number RES1 2896. The lacquers were cut from the original analog master by Matthew Lutthans at The Mastering Lab, and the record was pressed in California at Fidelity Record Pressing. The jacket carries the red Rhino Reserve seal, marked 180 gram and cut from analog tape.\u003c\/p\u003e\n\u003cp\u003eIt is one of 54 limited-edition vinyl titles in Rhino's Rocktober 2026 program, sold only through select brick-and-mortar stores while supplies last. Goes To Hell is in the October 30 wave, next to Rhino Reserve pressings of The Chills' Submarine Bells, The Cramps' Flamejob and two Todd Rundgren albums.\u003c\/p\u003e\n\u003cp\u003eThe album first came out in 1976, and Rhino's sticker notes it was Cooper's first album for Warner. It was his second solo record and ninth studio album overall, and it carries on the story of Steven from Welcome to My Nightmare. Cooper wrote it with guitarist Dick Wagner and producer Bob Ezrin. Steve Hunter adds guitar, Tony Levin plays bass and Allan Schwartzberg plays drums, with Jim Gordon drumming on three tracks. Cooper called \"I Never Cry\" \"an alcoholic confession.\" The album reached No. 27 in the US and was certified Gold.\u003c\/p\u003e\n\u003cp\u003eThe 1976 tour for the album was cancelled before it started because Cooper was ill with anemia. \"Go to Hell\" still made it into his live show and has been played on most tours since. The record also includes Cooper's version of the standard \"I'm Always Chasing Rainbows.\"\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eGo to Hell\u003c\/li\u003e\n\u003cli\u003eYou Gotta Dance\u003c\/li\u003e\n\u003cli\u003eI'm the Coolest\u003c\/li\u003e\n\u003cli\u003eDidn't We Meet\u003c\/li\u003e\n\u003cli\u003eI Never Cry\u003c\/li\u003e\n\u003cli\u003eGive the Kid a Break\u003c\/li\u003e\n\u003cli\u003eGuilty\u003c\/li\u003e\n\u003cli\u003eWake Me Gently\u003c\/li\u003e\n\u003cli\u003eWish You Were Here\u003c\/li\u003e\n\u003cli\u003eI'm Always Chasing Rainbows\u003c\/li\u003e\n\u003cli\u003eGoing Home\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227804671\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226684960926,"sku":"EVP-11BA148E-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/0081227804671.ps.jpg?v=1791184097"},{"product_id":"the-chills-submarine-bells-rhino-reserve","title":"The Chills - Submarine Bells (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl LP, Cut From Analog Tape\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Submarine Bells, catalog number RES1 26130. Rhino's sleeve sticker states that the lacquers were cut from the original analog master by Matthew Lutthans at The Mastering Lab, and that the record was pressed in California at Fidelity Record Pressing on 180-gram vinyl. The label's packshot shows a single black disc in a printed lyric inner sleeve.\u003c\/p\u003e\n\u003cp\u003eRhino built the Reserve series around analog sources where they exist and pressing at Fidelity in Oxnard, with the weight on sound rather than on a new color variant. This title was issued as part of Rhino's Rocktober 2026 program, a run of 54 limited-edition vinyl releases sold through brick-and-mortar record stores across October.\u003c\/p\u003e\n\u003cp\u003eSubmarine Bells is the second studio album by the Chills, the Dunedin band led by Martin Phillipps, who wrote every song on it. It was recorded between August and October 1989 at Jacobs studio in Surrey with producer Gary Smith, and released in 1990 as the band's first album for Slash, the Warner Bros. subsidiary that issued it in the United States. At home it went to No. 1 on the New Zealand albums chart, was certified gold, and won Best Album at the 1990 New Zealand Music Awards. \"Heavenly Pop Hit\" reached No. 2 on the New Zealand singles chart and No. 17 on Billboard's Modern Rock Tracks, and took Single of the Year at the same awards. Trouser Press singled out that song and the title track while praising the album for its cohesion.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavenly Pop Hit\u003c\/li\u003e\n\u003cli\u003eTied Up in Chain\u003c\/li\u003e\n\u003cli\u003eThe Oncoming Day\u003c\/li\u003e\n\u003cli\u003ePart Past Part Fiction\u003c\/li\u003e\n\u003cli\u003eSinging in My Sleep\u003c\/li\u003e\n\u003cli\u003eI Soar\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDead Web\u003c\/li\u003e\n\u003cli\u003eFamiliarity Breeds Contempt\u003c\/li\u003e\n\u003cli\u003eDon't Be - Memory\u003c\/li\u003e\n\u003cli\u003eEffloresce and Deliquesce\u003c\/li\u003e\n\u003cli\u003eSweet Times\u003c\/li\u003e\n\u003cli\u003eSubmarine Bells\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497803125\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.30.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48226693251230,"sku":"EVP-7A15F78D-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/0603497803125.ps.jpg?v=1791188655"},{"product_id":"sturgill-simpson-a-sailors-guide-to-earth-rhino-reserve","title":"Sturgill Simpson - A Sailor's Guide To Earth (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180 Gram Black Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of A Sailor's Guide To Earth, issued on January 2, 2026 as one of the titles in Rhino's Start Your Ear Off Right 2026 program. Rhino Reserve is the label's audiophile vinyl series. For this pressing, Matthew Lutthans cut the lacquers at The Mastering Lab, and the record is pressed on 180-gram black vinyl at Fidelity Record Pressing in California. It is a single LP in a gatefold jacket, catalog number RES1 728491, and the runouts carry that number alongside The Mastering Lab's TML-M mark.\u003c\/p\u003e\n\u003cp\u003eThe sticker on the front of the jacket notes that this was Simpson's third studio album and his first for Atlantic Records, and that it won Best Country Album at the 59th Grammy Awards along with a nomination for Album of the Year.\u003c\/p\u003e\n\u003cp\u003eSimpson produced the album and wrote it from beginning to end as a letter to his first child, who arrived in the summer of 2014. It holds eight originals and a cover of Nirvana's \"In Bloom.\" Most of it was recorded at The Butcher Shoppe in Nashville with engineer David Ferguson, whose credits include Johnny Cash and John Prine, and assistant engineer Sean Sullivan, with further sessions at Atlantic Studios in New York and Ca Va in Glasgow. The Dap-Kings appear as special guests, Dan Dugmore plays steel guitar, and Dougie Wilkinson's bagpipes are heard on the closing track, \"Call to Arms.\" Gavin Lurssen mastered the original release.\u003c\/p\u003e\n\u003cp\u003eAtlantic first released the album on April 15, 2016. It debuted at No. 3 on the Billboard 200 and No. 1 on Top Country Albums, selling 52,000 copies in its first week. \"Brace for Impact (Live a Little),\" the song in the video above, was the lead single, released on March 3, 2016, the day the album was announced. \"Oh Sarah\" first appeared in 2011 on To the Wind and On to Heaven, the only full-length album by Simpson's earlier band Sunday Valley. Kilian Eng created the cover and back cover art.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWelcome to Earth (Pollywog)\u003c\/li\u003e\n\u003cli\u003eBreakers Roar\u003c\/li\u003e\n\u003cli\u003eKeep It Between the Lines\u003c\/li\u003e\n\u003cli\u003eSea Stories\u003c\/li\u003e\n\u003cli\u003eIn Bloom\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrace for Impact (Live a Little)\u003c\/li\u003e\n\u003cli\u003eAll Around You\u003c\/li\u003e\n\u003cli\u003eOh Sarah\u003c\/li\u003e\n\u003cli\u003eCall to Arms\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227806255\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Elektra \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.2.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Elektra \/ Wea","offers":[{"title":"NEW \/ NEW","offer_id":48229795463326,"sku":"EVP-6814C8C3-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/sturgill-simpson-a-sailors-guide-to-earth-rhino-re.jpg?v=1791188131"},{"product_id":"betty-wright-i-love-the-way-you-love-rhino-reserve","title":"Betty Wright - I Love The Way You Love (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis pressing belongs to Rhino Reserve, Rhino's audiophile vinyl series. Matthew Lutthans cut the lacquers from the original analog master tapes at The Mastering Lab, and the record is pressed on 180-gram vinyl at Fidelity Record Pressing's plant in Oxnard, California. The front of the jacket carries the Atlantic logo and the catalog number RES1 338.\u003c\/p\u003e\n\u003cp\u003eRhino issued it in June 2026 as one of five vintage R\u0026amp;B albums given the Rhino Reserve treatment for Black Music Month. The Vinyl Cut notes that this one and Little Beaver's Party Down both came out of the TK Records scene in Hialeah, Florida.\u003c\/p\u003e\n\u003cp\u003eI Love the Way You Love was first released in 1972 as Wright's second studio album, four years after her debut, My First Time Around. Rhino's notes credit it with establishing her as the Queen of Miami Soul and call \"Clean Up Woman\" her Grammy-nominated breakout.\u003c\/p\u003e\n\u003cp\u003eClarence Reid and Willie Clarke wrote and produced \"Clean Up Woman,\" which Wright recorded at 17, and Willie \"Little Beaver\" Hale played its opening guitar lick. Issued as a single in November 1971, it reached No. 6 on the Billboard Hot 100 and held No. 2 on the R\u0026amp;B chart for eight weeks. It entered the Grammy Hall of Fame in 2021. The album also carries \"Pure Love,\" the single she released in 1970 at 16.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Love the Way You Love\u003c\/li\u003e\n\u003cli\u003eI'll Love You Forever Heart and Soul\u003c\/li\u003e\n\u003cli\u003eI Found That Guy\u003c\/li\u003e\n\u003cli\u003eAll Your Kissin' Sho' Don't Make True Lovin'\u003c\/li\u003e\n\u003cli\u003eIf You Don't Love Me Like You Say You Love Me\u003c\/li\u003e\n\u003cli\u003eClean Up Woman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm Getting Tired Baby\u003c\/li\u003e\n\u003cli\u003ePure Love\u003c\/li\u003e\n\u003cli\u003eAin't No Sunshine\u003c\/li\u003e\n\u003cli\u003eDon't Let It End This Way\u003c\/li\u003e\n\u003cli\u003eLet's Not Rush Down the Road of Love\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227804336\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Atlantic","offers":[{"title":"NEW \/ NEW","offer_id":48229899141278,"sku":"EVP-5C7DF5C5-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/081227804336_final.jpg?v=1791184466"},{"product_id":"baby-huey-the-baby-huey-story-the-living-legend-rhino-reserve","title":"Baby Huey - The Baby Huey Story: The Living Legend (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180 Gram Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve pressing of The Baby Huey Story: The Living Legend, issued by Rhino on June 27, 2025 as one of its Black Music Month titles. The lacquers were cut from the original analog tapes by Chris Bellman at Bernie Grundman Mastering, and the record is pressed on 180-gram black vinyl at Fidelity Record Pressing's plant in Oxnard, California.\u003c\/p\u003e\n\u003cp\u003eRhino Reserve packaging is built to match: a heavyweight board jacket, Rhino Reserve-branded center labels, and a Fidelity-branded poly inner sleeve. The catalog number is RES1 971650, and the original Curtom logo stays on the front cover.\u003c\/p\u003e\n\u003cp\u003eRecorded in 1970, it is the only album by James \"Baby Huey\" Ramey, the Chicago-based singer who had fronted Baby Huey \u0026amp; the Babysitters through the 1960s. Ramey died of a heart attack in October 1970, at 26, before the record was finished. Curtis Mayfield completed the production and released it on his Curtom label in 1971. The eight tracks pair several Mayfield songs with two Ramey originals and covers of Sam Cooke's \"A Change Is Going To Come\" and \"California Dreamin'.\"\u003c\/p\u003e\n\u003cp\u003eThe album sold poorly on first release. Hip-hop producers later found it: \"Hard Times\" has been sampled by Ice Cube, A Tribe Called Quest and Ghostface Killah, among many others, and John Legend and the Roots covered it on their 2010 album Wake Up!.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eListen To Me\u003c\/li\u003e\n\u003cli\u003eMama Get Yourself Together\u003c\/li\u003e\n\u003cli\u003eA Change Is Going To Come\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMighty, Mighty\u003c\/li\u003e\n\u003cli\u003eHard Times\u003c\/li\u003e\n\u003cli\u003eCalifornia Dreamin'\u003c\/li\u003e\n\u003cli\u003eRunning\u003c\/li\u003e\n\u003cli\u003eOne Dragon Two Dragon\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227811686\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.27.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48229910151326,"sku":"EVP-9B079179-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/RHILP81168-1__40524.jpg?v=1791184255"},{"product_id":"otis-redding-otis-blue-otis-redding-sings-soul-rhino-reserve-vinyl","title":"Otis Redding - Otis Blue\/Otis Redding Sings Soul (Rhino Reserve Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve Mono Pressing on 180g Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Otis Blue\/Otis Redding Sings Soul, issued June 27, 2025 in the album's original mono mix. Chris Bellman cut the lacquers from the original analog mono masters at Bernie Grundman Mastering, and the record is pressed on 180-gram black vinyl at Fidelity Record Pressing in Oxnard, California, with plating by Record Technology Incorporated. The front of the jacket carries the series catalog number RES1 412.\u003c\/p\u003e\n\u003cp\u003eRhino Reserve titles are sold direct through Rhino's own online store, and this one arrived as part of the label's Black Music Month installment alongside reissues from Baby Huey and the Meters. Tracking Angle's review notes that the jacket is not paper-on-cardboard, which is how Rhino prices the series below its High Fidelity line.\u003c\/p\u003e\n\u003cp\u003eIn the mono configuration, \"I've Been Loving You Too Long\" is the April 1965 recording. The rest of the album was made at Stax in Memphis over two sessions on July 9 and 10, 1965, roughly 22 hours of studio time, with Booker T. \u0026amp; the M.G.'s as the band, Isaac Hayes on piano and horns drawn from the Mar-Keys and the Memphis Horns.\u003c\/p\u003e\n\u003cp\u003eOtis Blue was Redding's third studio album, first issued by Volt, the Stax subsidiary, on September 15, 1965. Redding wrote three of its eleven songs, and three more came from Sam Cooke, who had died several months before the sessions. It became Redding's first album to top the US R\u0026amp;B LPs chart and reached No. 6 in the UK. Three of its singles were top 40 hits: the Redding original \"I've Been Loving You Too Long\", a cover of the Rolling Stones' \"Satisfaction\", and \"Respect\", which Aretha Franklin rearranged in 1967 for her breakout hit. The 1965 Volt recording of \"I've Been Loving You Too Long\" entered the Grammy Hall of Fame in 2011.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOle Man Trouble\u003c\/li\u003e\n\u003cli\u003eRespect\u003c\/li\u003e\n\u003cli\u003eChange Gonna Come\u003c\/li\u003e\n\u003cli\u003eDown In The Valley\u003c\/li\u003e\n\u003cli\u003eI've Been Loving You Too Long\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eShake\u003c\/li\u003e\n\u003cli\u003eMy Girl\u003c\/li\u003e\n\u003cli\u003eWonderful World\u003c\/li\u003e\n\u003cli\u003eRock Me Baby\u003c\/li\u003e\n\u003cli\u003eSatisfaction\u003c\/li\u003e\n\u003cli\u003eYou Don't Miss Your Water\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227811693\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.27.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Atlantic","offers":[{"title":"NEW \/ NEW","offer_id":48229911199902,"sku":"EVP-B37D31FE-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/4427022-3393123.jpg?v=1788379303"},{"product_id":"little-beaver-party-down-rhino-reserve","title":"Little Beaver - Party Down (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis edition of Party Down belongs to Rhino Reserve, the audiophile vinyl line from Rhino. Its lacquers were cut by Matthew Lutthans at The Mastering Lab, and the record is pressed on 180-gram black vinyl at Fidelity Record Pressing's plant in Oxnard, California. Rhino timed the Rhino Reserve edition to Black Music Month, with a June 5, 2026 street date. It is a single 33 1\/3 RPM LP carrying the original seven-track running order, four songs on side A and three on side B.\u003c\/p\u003e\n\u003cp\u003eWillie Hale earned the nickname Little Beaver as a child in Forrest City, Arkansas. In 1969 he signed with Cat, an offshoot of Henry Stone's TK Records in Hialeah, Florida, and his guitar became a fixture of TK sessions, Betty Wright's \"Clean Up Woman\" among them. Party Down, from 1974, was his second album under the Little Beaver name, and its title track climbed to No. 2 on the Billboard R\u0026amp;B chart, the biggest hit of his career.\u003c\/p\u003e\n\u003cp\u003eThe players come from the same Florida circle: Betty Wright, Timmy Thomas and Latimore all appear, and Jaco Pastorius plays bass on one track under the credit Nelson \"Jocko\" Padron. Reviewing it in his Record Guide, Robert Christgau called the album a \"dance-groove item.\"\u003c\/p\u003e\n\u003cp\u003eThe record has had a long second life in hip hop. People Under the Stairs built \"Suite for Beaver, Part 1\" and \"Part 2\" on their 2002 album O.S.T. from \"Get Into the Party Life\" and \"I Can Dig It Baby,\" and Jay-Z sampled \"Get Into the Party Life\" for \"Party Life\" on American Gangster in 2007.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eParty Down (Pt. 1)\u003c\/li\u003e\n\u003cli\u003eParty Down (Pt. 2)\u003c\/li\u003e\n\u003cli\u003eMoney Vibrations\u003c\/li\u003e\n\u003cli\u003eGet Into the Party Life\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Can Dig It Baby\u003c\/li\u003e\n\u003cli\u003eLet the Good Times Roll\u003c\/li\u003e\n\u003cli\u003eLet's Stick Together\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497805525\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48229919096990,"sku":"EVP-0C9B65B5-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/littlebeaver-down-blackvinyl-1_76cee3e2-4078-41b4-a82a-f8e84d52b7dc.jpg?v=1791186254"},{"product_id":"otis-redding-pain-in-my-heart-rhino-reserve","title":"Otis Redding - Pain In My Heart (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180 Gram Mono LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis Rhino Reserve edition of Otis Redding's debut album was cut from the original analog mono master by Matthew Lutthans at The Mastering Lab in Salina, Kansas, and pressed on 180-gram vinyl at Fidelity Record Pressing in Oxnard, California, the plant Mobile Fidelity opened in 2024. Rhino issued it in February 2026 in honor of Black History Month. The catalog number RES1 161 is etched into the runout and printed on the front-cover sticker beside the barcode.\u003c\/p\u003e\n\u003cp\u003eAtco first released Pain in My Heart in 1964 as catalog 33-161, since Volt LPs initially went out on the Atco label, and the album gathers Redding's 1962-1963 sessions at Stax in Memphis. Four singles are here: \"These Arms of Mine,\" his first Volt single, which sold more than 800,000 copies; \"That's What My Heart Needs\"; \"Security\"; and the title track, which Allen Toussaint wrote and arranged under the pseudonym Naomi Neville. The LP reached number 20 on Billboard's R\u0026amp;B chart.\u003c\/p\u003e\n\u003cp\u003eThe rest of the sequence is covers: Rufus Thomas's \"The Dog,\" Ben E. King's \"Stand by Me,\" Richard Berry's \"Louie Louie,\" Little Richard's \"Lucille\" and Sam Cooke's \"You Send Me.\" The backing band includes Booker T. Jones, Steve Cropper, Donald Dunn, Lewis Steinberg and Al Jackson Jr., with Johnny Jenkins on guitar and Wayne Jackson on trumpet.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePain in My Heart\u003c\/li\u003e\n\u003cli\u003eThe Dog\u003c\/li\u003e\n\u003cli\u003eStand by Me\u003c\/li\u003e\n\u003cli\u003eHey Hey Baby\u003c\/li\u003e\n\u003cli\u003eYou Send Me\u003c\/li\u003e\n\u003cli\u003eI Need Your Lovin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThese Arms of Mine\u003c\/li\u003e\n\u003cli\u003eLouie Louie\u003c\/li\u003e\n\u003cli\u003eSomething Is Worrying Me\u003c\/li\u003e\n\u003cli\u003eSecurity\u003c\/li\u003e\n\u003cli\u003eThat's What My Heart Needs\u003c\/li\u003e\n\u003cli\u003eLucille\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497809318\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48229919195294,"sku":"EVP-F3EC15CD-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/otis_redding_otis_redding_-_pain_in_my_heart.png?v=1791186971"},{"product_id":"the-time-ice-cream-castle-rhino-reserve","title":"The Time - Ice Cream Castle (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180 Gram Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Ice Cream Castle, issued by Rhino and Warner Records for Black Music Month 2026. Rhino Reserve is the label's audiophile vinyl line. For this pressing, Matthew Lutthans cut the lacquers from the original analog master at The Mastering Lab, and the record was pressed on 180-gram vinyl at Fidelity Record Pressing's plant in Oxnard, California. The catalog number is RES1 25109, and the label marks the record as explicit.\u003c\/p\u003e\n\u003cp\u003eIce Cream Castle first came out in July 1984. It was The Time's third studio album, produced by Prince under the name The Starr ★ Company, with Morris Day. Recording started at Sunset Sound in Hollywood in late March 1983 with \"Jungle Love,\" while Prince and the band were still out on the 1999 Tour. \"The Bird\" is a live recording made at First Avenue in Minneapolis that October, picked over an earlier studio take. \"Ice Cream Castles\" and \"My Drawers\" were the last songs cut, in January 1984.\u003c\/p\u003e\n\u003cp\u003e\"Jungle Love\" and \"The Bird\" both appear in the film Purple Rain, which took the album to a crossover audience. It reached No. 24 on the Billboard 200 and No. 3 on the Top Soul LPs chart, and stayed on the Billboard album chart for 57 weeks. It was certified platinum by the RIAA and is the group's best-selling album.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIce Cream Castles (7:33)\u003c\/li\u003e\n\u003cli\u003eMy Drawers (4:04)\u003c\/li\u003e\n\u003cli\u003eChili Sauce (5:45)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col start=\"4\"\u003e\n\u003cli\u003eJungle Love (5:29)\u003c\/li\u003e\n\u003cli\u003eIf the Kid Can't Make You Come (7:33)\u003c\/li\u003e\n\u003cli\u003eThe Bird (7:40)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227804343\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.5.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48229922570398,"sku":"EVP-67D54882-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/081227804343_final.jpg?v=1791188276"},{"product_id":"otis-redding-the-soul-album-rhino-reserve","title":"Otis Redding - The Soul Album (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180 Gram Mono LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis edition of The Soul Album belongs to Rhino Reserve, Rhino's audiophile vinyl series. Matthew Lutthans cut the lacquers at The Mastering Lab from the original analog mono masters, and the record is pressed on 180-gram vinyl at Fidelity Record Pressing in California. A sticker on the front cover marks the album's 60th anniversary, the jacket keeps the Volt logo, and the label catalog number is RES1 413.\u003c\/p\u003e\n\u003cp\u003eVolt first issued The Soul Album in April 1966. It spent 28 weeks on the US R\u0026amp;B albums chart, peaking at No. 3, and reached No. 54 on Billboard's LP chart. Redding is backed by the Stax house band: Booker T. Jones and Isaac Hayes on keyboards, Steve Cropper on guitar, Donald Dunn on bass and Al Jackson Jr. on drums, with a horn section that includes Wayne Jackson, Andrew Love and Floyd Newman. Cropper also co-wrote three of the songs.\u003c\/p\u003e\n\u003cp\u003eAlongside Redding's own songs, the album reworks material by Sam Cooke (\"Chain Gang\"), Smokey Robinson (\"It's Growing\"), Roy Head (\"Treat Her Right\") and Eddie Floyd (\"Everybody Makes a Mistake\"). \"Cigarettes and Coffee\" was written by Jerry Butler and first recorded by Al \"TNT\" Braggs in 1961; Cropper has called it one of Redding's hidden gems in an interview with Songfacts. \"Just One More Day,\" written by Redding, Cropper and McEvoy Robinson, came out as a single in November 1965, ahead of the album. Loring Eutemey of Atlantic Records designed the cover, a portrait of the model Fleurette Carter.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide 1\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJust One More Day\u003c\/li\u003e\n\u003cli\u003eIt's Growing\u003c\/li\u003e\n\u003cli\u003eCigarettes and Coffee\u003c\/li\u003e\n\u003cli\u003eChain Gang\u003c\/li\u003e\n\u003cli\u003eNobody Knows You (When You're Down and Out)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide 2\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGood to Me\u003c\/li\u003e\n\u003cli\u003eScratch My Back\u003c\/li\u003e\n\u003cli\u003eTreat Her Right\u003c\/li\u003e\n\u003cli\u003eEverybody Makes a Mistake\u003c\/li\u003e\n\u003cli\u003eAny Ole Way\u003c\/li\u003e\n\u003cli\u003e634-5789\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497809325\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":48229924110494,"sku":"EVP-C92F3282-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/4485772-3509745.jpg?v=1788379330"},{"product_id":"charles-mingus-blues-roots-rhino-reserve","title":"Charles Mingus - Blues \u0026 Roots (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Mono LP Cut From The Original Analog Tapes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Blues \u0026amp; Roots. Matthew Lutthans at The Mastering Lab cut the lacquers from the original analog mono master tapes, and Fidelity Record Pressing pressed the 180-gram disc at its plant in Oxnard, California. It carries the album in its original mono mix under catalog number RES1 1305. Rhino issued it on January 9, 2026, as part of its Start Your Ear Off Right series for that year.\u003c\/p\u003e\n\u003cp\u003eMingus recorded the album in a single session at Atlantic Studios in New York on February 4, 1959. Nesuhi Ertegun produced, Tom Dowd engineered, and Atlantic released it in 1960 as its third Mingus album. The cover still carries the original mono catalog number, Atlantic 1305. The record began with Ertegun's suggestion that Mingus make a blues album. In the original liner notes Mingus wrote that he was \"born swinging and clapped my hands in church as a little boy.\"\u003c\/p\u003e\n\u003cp\u003eThe band is a nine-piece built on horns: John Handy and Jackie McLean on alto saxophone, Booker Ervin on tenor, Pepper Adams on baritone, and Jimmy Knepper and Willie Dennis on trombone. Mingus plays bass with Dannie Richmond on drums. Horace Parlan plays piano on five tracks, and Mal Waldron takes over on \"E's Flat Ah's Flat Too\", a piece also known as \"Hora Decubitus\". That tune, \"Wednesday Night Prayer Meeting\" and \"Moanin'\" all first appeared on this record.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWednesday Night Prayer Meeting\u003c\/li\u003e\n\u003cli\u003eCryin' Blues\u003c\/li\u003e\n\u003cli\u003eMoanin'\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTensions\u003c\/li\u003e\n\u003cli\u003eMy Jelly Roll Soul\u003c\/li\u003e\n\u003cli\u003eE's Flat Ah's Flat Too\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227806477\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 1.9.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Atlantic","offers":[{"title":"NEW \/ NEW","offer_id":50091114463390,"sku":"EVP-51233BAD-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/charles_mingus_blues_and_Roots_rhino_reserve_with_sticker.webp?v=1791185038"},{"product_id":"donny-hathaway-live-rhino-reserve","title":"Donny Hathaway - Live (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Donny Hathaway's Live, a February 2026 Rhino release timed to Black History Month. Matthew Lutthans cut the lacquers from the original analog master at The Mastering Lab, and the record is pressed on 180-gram vinyl at Fidelity Record Pressing's plant in Oxnard, California. It plays at 33 1\/3 RPM on a single LP in a gatefold jacket, catalog number RES1 386.\u003c\/p\u003e\n\u003cp\u003eLive was first released in February 1972 and draws on two 1971 engagements. Jerry Wexler suggested a live record for Hathaway's third Atlantic album: side one was recorded at The Troubadour in Hollywood in late August, side two at The Bitter End in Greenwich Village in October. Wexler and Arif Mardin produced it, and Mardin handled the mix. The album reached No. 18 on Billboard's Top LPs chart and No. 4 on its Top Soul LPs chart.\u003c\/p\u003e\n\u003cp\u003eThe set pairs Hathaway's own material with covers of Marvin Gaye's \"What's Going On,\" Carole King's \"You've Got a Friend\" and John Lennon's \"Jealous Guy.\" It carries two extended solos: Hathaway on electric piano in \"The Ghetto\" at The Troubadour, and Willie Weeks on bass in \"Voices Inside (Everything Is Everything)\" at The Bitter End. The band also includes Phil Upchurch on lead guitar for side one, Cornell Dupree on lead guitar for side two, Mike Howard on guitar, Fred White on drums and Earl DeRouen on congas.\u003c\/p\u003e\n\u003cp\u003eRolling Stone placed Live at No. 48 on its 2015 list of the 50 Greatest Live Albums of All Time, and Victor Wooten named it among his 10 essential bass albums in 2005. Lalah Hathaway, Donny's daughter, later recorded \"Little Ghetto Boy\" for her own 2015 live album.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhat's Goin' On\u003c\/li\u003e\n\u003cli\u003eThe Ghetto\u003c\/li\u003e\n\u003cli\u003eHey Girl\u003c\/li\u003e\n\u003cli\u003eYou've Got a Friend\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLittle Ghetto Boy\u003c\/li\u003e\n\u003cli\u003eWe're Still Friends\u003c\/li\u003e\n\u003cli\u003eJealous Guy\u003c\/li\u003e\n\u003cli\u003eVoices Inside (Everything Is Everything)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497809332\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 2.6.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":50527751274654,"sku":"EVP-362F5E18-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/5RHILP80933__87542.1778482620.jpg?v=1791185214"},{"product_id":"john-prine-prime-prine-rhino-reserve","title":"John Prine - Prime Prine (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180g Black Vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve pressing of Prime Prine, from Rhino's premium vinyl series. The lacquers were cut from the original analog masters by Matthew Lutthans at The Mastering Lab, and the record is pressed on 180-gram black vinyl at Fidelity Record Pressing in Oxnard, California. It ships in a single-pocket jacket, sealed in a poly bag with a wrap-over sticker. Rhino's notes call it the first US LP issue of the compilation since the original 1976 release.\u003c\/p\u003e\n\u003cp\u003eRhino released it on July 31, 2026, in the closing wave of its Spirit of '76 campaign, a 23-album run of reissues drawn from the 1976 catalog.\u003c\/p\u003e\n\u003cp\u003eAtlantic first issued Prime Prine in 1976 as a best-of drawn from all four of Prine's albums for the label. Four songs come from his 1971 debut, John Prine: \"Sam Stone,\" \"Donald and Lydia,\" \"Illegal Smile\" and \"Hello in There.\" \"The Great Compromise\" and \"Souvenirs\" come from Diamonds in the Rough (1972), and four more from Sweet Revenge (1973). \"Saddle in the Rain\" and \"Come Back to Us Barbara Lewis Hare Krishna Beauregard\" are the only two songs here from Common Sense (1975), which Steve Cropper produced in Memphis and Los Angeles.\u003c\/p\u003e\n\u003cp\u003eCommon Sense was Prine's last studio album for Atlantic. He signed a three-album deal with Asylum in 1977 and made Bruised Orange there with his friend Steve Goodman producing.\u003c\/p\u003e\n\u003cp\u003eThe video above is a 1970s performance of \"Sam Stone,\" the record's opening track, posted by Prine's official channel.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003col\u003e\n\u003cli\u003eSam Stone\u003c\/li\u003e\n\u003cli\u003eSaddle in the Rain\u003c\/li\u003e\n\u003cli\u003ePlease Don't Bury Me\u003c\/li\u003e\n\u003cli\u003eThe Great Compromise\u003c\/li\u003e\n\u003cli\u003eGrandpa Was a Carpenter\u003c\/li\u003e\n\u003cli\u003eDonald and Lydia\u003c\/li\u003e\n\u003cli\u003eIllegal Smile\u003c\/li\u003e\n\u003cli\u003eSweet Revenge\u003c\/li\u003e\n\u003cli\u003eDear Abby\u003c\/li\u003e\n\u003cli\u003eSouvenirs\u003c\/li\u003e\n\u003cli\u003eCome Back to Us Barbara Lewis Hare Krishna Beauregard\u003c\/li\u003e\n\u003cli\u003eHello in There\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227804299\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.31.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Atlantic","offers":[{"title":"NEW \/ NEW","offer_id":50530830647454,"sku":"EVP-9F8696BD-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/0081227804299.jpg?v=1791186079"},{"product_id":"the-doors-greatest-hits-rhino-reserve","title":"The Doors - Greatest Hits (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis pressing of Greatest Hits belongs to Rhino Reserve, Rhino's series of high-quality vinyl reissues, under catalog number RES1 515. Matthew Lutthans cut the lacquers at The Mastering Lab from the original analog master tapes, and the record is pressed on 180-gram black vinyl at Fidelity Record Pressing in California. A Rhino Reserve strip on the front of the jacket carries the series crest, the 180-gram mark and the words \"cut from analog tape,\" and the disc wears matching Rhino Reserve labels. Rhino released it on October 17, 2025, in its Rocktober 2025 slate, during the band's 60th-anniversary year.\u003c\/p\u003e\n\u003cp\u003eElektra first issued Greatest Hits in 1980 as 5E-515. Arriving a year after Apocalypse Now, it found the band a new audience that had not grown up with the Doors, and it went on to rank among the best-selling compilations ever released. Rhino's own sticker copy for this edition calls it \"the record that launched a million new Doors fans.\"\u003c\/p\u003e\n\u003cp\u003eAll ten tracks come from the six studio albums released during Jim Morrison's lifetime. \"Light My Fire\" and \"Break On Through\" are from The Doors (1967), \"People Are Strange\" and \"Love Me Two Times\" from Strange Days (1967), and \"Hello, I Love You\" and \"Not to Touch the Earth\" from Waiting for the Sun (1968). \"Touch Me\" is from The Soft Parade (1969), \"Roadhouse Blues\" from Morrison Hotel (1970), and \"Riders on the Storm\" and \"L.A. Woman\" from L.A. Woman (1971). \"Hello, I Love You\" went to number one in the US and Canada in 1968. The lineup throughout is Morrison, Ray Manzarek, Robby Krieger and John Densmore, with production by Paul A. Rothchild and Bruce Botnick.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHello, I Love You\u003c\/li\u003e\n\u003cli\u003eLight My Fire\u003c\/li\u003e\n\u003cli\u003ePeople Are Strange\u003c\/li\u003e\n\u003cli\u003eLove Me Two Times\u003c\/li\u003e\n\u003cli\u003eRiders on the Storm\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBreak On Through\u003c\/li\u003e\n\u003cli\u003eRoadhouse Blues\u003c\/li\u003e\n\u003cli\u003eNot to Touch the Earth\u003c\/li\u003e\n\u003cli\u003eTouch Me\u003c\/li\u003e\n\u003cli\u003eL.A. Woman\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227809409\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Elektra \/ Wea\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.17.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Elektra \/ Wea","offers":[{"title":"NEW \/ NEW","offer_id":67449973637278,"sku":"EVP-5B71EEF2-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/081227809409_The_Doors_Greatest_Hits_Rhino_Reserve_ProductShot.png?v=1791189379"},{"product_id":"bootsys-rubber-band-stretchin-out-in-bootsys-rubber-band-rhino-reserve","title":"Bootsy's Rubber Band - Stretchin' Out in Bootsy's Rubber Band (Rhino Reserve)","description":"\u003cp\u003e\u003cstrong\u003eRhino Reserve 180g Vinyl LP, 50th Anniversary Reissue\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis LP belongs to Rhino Reserve, Rhino's audiophile vinyl series, and marks fifty years since the album first appeared. Matthew Lutthans cut the lacquers from the original analog master at The Mastering Lab, and the record was pressed on 180-gram vinyl at Fidelity Record Pressing in Oxnard, California. It carries catalog number RES1 26334 and was issued as a Brick \u0026amp; Mortar Exclusive. The labels, spine and hype sticker credit the record to Bootsy Collins, and the runouts carry an etched RES1-26334 matrix alongside a stamped TML-M mark.\u003c\/p\u003e\n\u003cp\u003eStretchin' Out in Bootsy's Rubber Band was the first album by Bootsy's Rubber Band, the Parliament-Funkadelic offshoot led by bassist and vocalist William \"Bootsy\" Collins. Collins produced it with George Clinton at United Sound Systems in Detroit, and Warner Bros. Records issued it in 1976. It reached number 10 on the R\u0026amp;B albums chart that year, and \"I'd Rather Be with You\" was later sampled by Childish Gambino on \"Redbone\".\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eStretchin' Out (In a Rubber Band)\u003c\/li\u003e\n\u003cli\u003ePsychoticbumpschool\u003c\/li\u003e\n\u003cli\u003eAnother Point of View\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'd Rather Be with You\u003c\/li\u003e\n\u003cli\u003eLove Vibes\u003c\/li\u003e\n\u003cli\u003ePhysical Love\u003c\/li\u003e\n\u003cli\u003eVanish in Our Sleep\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227804503\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.17.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":67449982484638,"sku":"EVP-AA2388BA-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/4519338-3612798.jpg?v=1790801048"},{"product_id":"yes-90125-rhino-reserve","title":"Yes - 90125 (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180 Gram Black Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve pressing of 90125, catalog number RES1 90125, issued by Rhino as part of its Rocktober 2025 campaign. The lacquers were cut from the original analog stereo masters by Matthew Lutthans at The Mastering Lab, and the record is pressed on 180-gram black vinyl at Fidelity Record Pressing in Oxnard, California. It is an all-analog cut, played at 33 1\/3 RPM in stereo, and was released as a brick-and-mortar exclusive for physical record stores.\u003c\/p\u003e\n\u003cp\u003eThe heavyweight board jacket recreates the original 1983 packaging, with the silver-based cover given a faux-metallic finish. Inside, the disc ships in a Fidelity Record Pressing antistatic sleeve alongside a reproduction of the original printed inner sleeve with lyrics, and the center labels carry the Rhino Reserve design. Rhino's sticker on the front describes 90125 as a Platinum album in multiple countries and the band's best-selling release.\u003c\/p\u003e\n\u003cp\u003eRhino introduced the Reserve line in December 2024 as an all-analog series pressed at Fidelity Record Pressing, the plant run by the company behind Mobile Fidelity. Unlike Rhino's online-only High Fidelity series, Reserve titles are sold through record stores.\u003c\/p\u003e\n\u003cp\u003e90125 was first issued by Atco on 7 November 1983 and took its title from its Atco catalogue number. It began as the debut of a band called Cinema, with Trevor Horn producing, before Jon Anderson returned to sing lead and the group became Yes again. The album reached No. 5 on the Billboard 200, and \"Owner of a Lonely Heart\" remains the band's only Hot 100 No. 1.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOwner Of A Lonely Heart\u003c\/li\u003e\n\u003cli\u003eHold On\u003c\/li\u003e\n\u003cli\u003eIt Can Happen\u003c\/li\u003e\n\u003cli\u003eChanges\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCinema\u003c\/li\u003e\n\u003cli\u003eLeave It\u003c\/li\u003e\n\u003cli\u003eOur Song\u003c\/li\u003e\n\u003cli\u003eCity Of Love\u003c\/li\u003e\n\u003cli\u003eHearts\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227809546\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.17.25\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Atlantic","offers":[{"title":"NEW \/ NEW","offer_id":67449988219038,"sku":"EVP-A0DCE456-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/081227809546.ps.jpg?v=1791189587"},{"product_id":"al-stewart-year-of-the-cat-rhino-reserve","title":"Al Stewart - Year of the Cat (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180g Black Vinyl Gatefold LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Al Stewart's Year of the Cat: one 180-gram black LP at 33 RPM in a direct-to-board gatefold jacket, issued by Rhino on July 17, 2026. Rhino released it as part of its Spirit of '76 campaign, a group of reissues marking fifty years since a run of 1976 albums.\u003c\/p\u003e\n\u003cp\u003eMatthew Lutthans of The Mastering Lab in Salina, Kansas cut the lacquers from the original analog master tapes. Pressing was done at Fidelity Record Pressing in Oxnard, California, the plant owned by Mobile Fidelity. Lutthans wrote \"For Terry\" in the dead wax, a dedication to his brother, whom he credits with first getting him interested in audio. The disc comes in a Fidelity Record Pressing-branded poly inner sleeve. There is no insert or booklet.\u003c\/p\u003e\n\u003cp\u003eYear of the Cat was Stewart's seventh studio album, produced and engineered by Alan Parsons across sessions at Abbey Road in London and Davlen Sound Studios in North Hollywood. It reached No. 5 on the Billboard 200 and was certified platinum in the US in March 1977. The title track, co-written with keyboardist Peter Wood, was the hit single. Hipgnosis and illustrator Colin Elgie designed the cat-filled dressing-table cover.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLord Grenville\u003c\/li\u003e\n\u003cli\u003eOn the Border\u003c\/li\u003e\n\u003cli\u003eMidas Shadow\u003c\/li\u003e\n\u003cli\u003eSand in Your Shoes\u003c\/li\u003e\n\u003cli\u003eIf It Doesn't Come Naturally, Leave It\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFlying Sorcery\u003c\/li\u003e\n\u003cli\u003eBroadway Hotel\u003c\/li\u003e\n\u003cli\u003eOne Stage Before\u003c\/li\u003e\n\u003cli\u003eYear of the Cat\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227804688\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.17.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":67449989628062,"sku":"EVP-05647E0E-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/4519342-3639101.jpg?v=1790801066"},{"product_id":"faces-snakes-and-ladders-the-best-of-faces-rhino-reserve","title":"Faces - Snakes and Ladders \/ The Best of Faces (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Black Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve edition of Snakes and Ladders \/ The Best of Faces, part of the label's premium vinyl series. Matthew Lutthans cut the lacquers from the original analog master at The Mastering Lab, and the record is pressed on 180-gram black vinyl at Fidelity Record Pressing in Oxnard, California. Rhino's catalog number is RES1 2897.\u003c\/p\u003e\n\u003cp\u003eThe pressing came out in the opening wave of Rhino's Spirit of '76 campaign, a 23-album summer reissue program drawn from the records of 1976 and timed to the American Semiquincentennial.\u003c\/p\u003e\n\u003cp\u003eWarner Bros. first issued the compilation in October 1976 as a US-only release, assembled after the band broke up in 1975. The cover pairs artwork by guitarist Ronnie Wood with photographs by Tom Wright.\u003c\/p\u003e\n\u003cp\u003eSide one opens with \"Pool Hall Richard,\" a December 1973 single recorded after Ronnie Lane had left the group, with Wood playing bass. Side two opens with \"You Can Make Me Dance, Sing or Anything,\" another single that never appeared on a Faces studio album. Nine of the remaining ten songs come from the band's four studio albums, First Step through Ooh La La, among them \"Stay With Me,\" which reached No. 6 on the UK Singles Chart.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePool Hall Richard\u003c\/li\u003e\n\u003cli\u003eCindy Incidentally\u003c\/li\u003e\n\u003cli\u003eOoh La La\u003c\/li\u003e\n\u003cli\u003eSweet Lady Mary\u003c\/li\u003e\n\u003cli\u003eFlying\u003c\/li\u003e\n\u003cli\u003ePineapple and the Monkey\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eYou Can Make Me Dance, Sing or Anything\u003c\/li\u003e\n\u003cli\u003eHad Me a Real Good Time\u003c\/li\u003e\n\u003cli\u003eStay With Me\u003c\/li\u003e\n\u003cli\u003eMiss Judy's Farm\u003c\/li\u003e\n\u003cli\u003eSilicone Grown\u003c\/li\u003e\n\u003cli\u003eAround the Plynth\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227804404\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.17.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":67449993691294,"sku":"EVP-E602B174-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/4519337-3612797.jpg?v=1790801074"},{"product_id":"gordon-lightfoot-summertime-dream-rhino-reserve","title":"Gordon Lightfoot - Summertime Dream (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180-Gram Vinyl Cut From the Original Analog Master\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is the Rhino Reserve pressing of Summertime Dream, issued on July 24, 2026 in Rhino's Spirit of '76 campaign, which brought back 23 albums from 1976 for their 50th anniversaries through select independent record stores. Matthew Lutthans cut the lacquers from the original analog master at The Mastering Lab, and Fidelity Record Pressing in Oxnard, California, pressed the record on 180-gram vinyl. A red Rhino Reserve sticker on the front of the jacket notes the analog-tape source, and the catalog number is RES1 2246.\u003c\/p\u003e\n\u003cp\u003eSummertime Dream was Lightfoot's eleventh studio album, first issued by Reprise in 1976. He produced it with Lenny Waronker at Eastern Sound Studios in Toronto, with Ken Friesen engineering and Lee Herschberg mixing, and every song on it is his own. It reached No. 1 on Canada's RPM album chart and No. 12 on the Billboard pop chart.\u003c\/p\u003e\n\u003cp\u003e\"The Wreck of the Edmund Fitzgerald,\" which recounts the final hours of the iron ore freighter that sank on Lake Superior in November 1975, went to No. 1 in Canada and No. 2 on the US pop chart. \"Race Among the Ruins\" also reached the US pop chart, at No. 65.\u003c\/p\u003e\n\u003cp\u003eLightfoot sings and plays six- and 12-string guitars, joined by Terry Clements on lead acoustic and electric guitars, Pee Wee Charles on steel guitar, Rick Haynes on bass and Barry Keane on drums and percussion. Gene Martynec adds Moog synthesizer, and Jim Gordon plays drums on \"The House You Live In.\"\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide One\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRace Among the Ruins\u003c\/li\u003e\n\u003cli\u003eThe Wreck of the Edmund Fitzgerald\u003c\/li\u003e\n\u003cli\u003eI'm Not Supposed to Care\u003c\/li\u003e\n\u003cli\u003eI'd Do It Again\u003c\/li\u003e\n\u003cli\u003eNever Too Close\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide Two\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eProtocol\u003c\/li\u003e\n\u003cli\u003eThe House You Live In\u003c\/li\u003e\n\u003cli\u003eSummertime Dream\u003c\/li\u003e\n\u003cli\u003eSpanish Moss\u003c\/li\u003e\n\u003cli\u003eToo Many Clues in This Room\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 603497804641\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":67449996279966,"sku":"EVP-CD3440B2-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/CS1159814-01A-BIG.jpg?v=1791185881"},{"product_id":"rod-stewart-a-night-on-the-town-rhino-reserve","title":"Rod Stewart - A Night on the Town (Rhino Reserve)","description":"\n\u003cp\u003e\u003cstrong\u003eRhino Reserve 180 Gram Vinyl LP\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis pressing belongs to Rhino Reserve, the label's audiophile series. Matthew Lutthans cut the lacquers from the original analog master at The Mastering Lab, and the record is pressed on 180-gram vinyl at Fidelity Record Pressing in Oxnard, California. It was issued on July 24, 2026, in one of the weekly waves of Rhino's Spirit of '76 campaign, a summer program of 23 reissues drawn from albums first released in 1976.\u003c\/p\u003e\n\u003cp\u003eThe jacket keeps the original two-part sequencing, printed on both the front and back of the sleeve: a Slow Side of four songs and a Fast Side of five. The cover art is based on Renoir's painting Bal du moulin de la Galette, with Stewart set into the center of the crowd in period dress.\u003c\/p\u003e\n\u003cp\u003eA Night on the Town was Stewart's seventh album, produced by Tom Dowd and recorded between December 1975 and April 1976 at Cherokee in Los Angeles, Muscle Shoals Sound in Sheffield, Alabama, Criteria in Miami and Caribou Ranch in Colorado. It went to No. 1 on the UK albums chart and No. 2 on the Billboard 200, and the RIAA certified it double platinum. It was his last UK No. 1 studio album until Time in 2013.\u003c\/p\u003e\n\u003cp\u003e\"Tonight's the Night (Gonna Be Alright)\" became Stewart's second No. 1 on the Billboard Hot 100, even though some radio stations banned it over its lyrics. Britt Ekland speaks the French passage, and Jerry Jumonville plays the saxophone solo. The Slow Side also carries his cover of Cat Stevens' \"The First Cut Is the Deepest\" and the two-part \"The Killing of Georgie,\" the story of a gay friend who is turned out by his family and later killed during a robbery.\u003c\/p\u003e\n\u003cp\u003eThe session credits include Steve Cropper, Donald Dunn and Al Jackson Jr., the Muscle Shoals players Roger Hawkins, David Hood, Barry Beckett and Pete Carr, plus Joe Walsh, David Lindley and David Foster. Arif Mardin is among the string arrangers.\u003c\/p\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSide A: Slow Side\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTonight's the Night (Gonna Be Alright)\u003c\/li\u003e\n\u003cli\u003eThe First Cut Is the Deepest\u003c\/li\u003e\n\u003cli\u003eFool for You\u003c\/li\u003e\n\u003cli\u003eThe Killing of Georgie (Part I and II)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eSide B: Fast Side\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Balltrap\u003c\/li\u003e\n\u003cli\u003ePretty Flamingo\u003c\/li\u003e\n\u003cli\u003eBig Bayou\u003c\/li\u003e\n\u003cli\u003eThe Wild Side of Life\u003c\/li\u003e\n\u003cli\u003eTrade Winds\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv data-bt-autogen\u003e\u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 081227804527\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Rhino\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 7.24.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Vinyl\u003c\/p\u003e\u003c\/div\u003e","brand":"Rhino","offers":[{"title":"NEW \/ NEW","offer_id":67449996640414,"sku":"EVP-62000790-NEW-NEW-NONE0000","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0718\/8801\/1422\/files\/CS1159453-01A-BIG.jpg?v=1791187898"}],"url":"https:\/\/evergreenvinyl.com\/collections\/rhino-reserve.oembed","provider":"Evergreen Vinyl","version":"1.0","type":"link"}